My work explores identity, transformation, and the lived experiences of women and those whose contributions are often undervalued in society. Rooted in autobiography and informed by feminist perspectives, my practice engages deeply with personal narratives and the complexities of human connection.
In my recent exhibition, Supervision, I reflected on the intersection of art and care. The one-minute film SandPit emerged from drawings created during supervision sessions with a clinical psychologist, spaces where I considered the dynamics of a community mental health project and the well-being of its participants. This work layers thought, emotion, and process, making visible the often, unseen labour of reflection and support.
My series Seven examines cycles of change, inspired by the notion of seven-year transformations in the body and mind. Through swift, gestural drawings of my body, I capture fleeting moments of presence and self-awareness, inviting viewers to connect with the subtle magic of everyday transformation.
Using both traditional and digital media, I seek to uncover the significance of human stories, drawing attention to the invisible labour and contributions often overlooked. Through layered mark-making and washes of paint—both physical and digital—I create work that inhabits the space between memory, embodiment, and transformation. I enjoy making art where I can have a space for questioning, reflection, and connection.