My work hopes to explore identity, transformation, and the lived experiences of those whose contributions are often undervalued in society. Rooted in autoethnography, my work engages with personal narratives and the complexities of human connection.
In my recent exhibition, Supervision, I reflected on the intersection of art and care. The one-minute film SandPit emerged from drawings created during supervision sessions with a clinical psychologist, spaces where I considered the dynamics of a community mental health project and the well-being of its participants. This work layers thought, emotion, and process, making visible the often, unseen labour of reflection and support.
My series Seven examines cycles of change, inspired by the idea of seven-year transformations in the body and mind. Through fast, gestural drawings of different body parts, I tried to capture fleeting moments of presence and self-awareness, to connect with the subtle magic of everyday transformation.
Using both traditional and digital media, I hope to uncover the significance of human stories, drawing attention to the invisible labour and contributions often overlooked. Through layered mark-making and washes of paint—both physical and digital—I work to create art that inhabits the space between memory, embodiment, and transformation. I enjoy making art where I can have a space for questioning, reflection, and connection.